His brutal movies put Korean cinema on the map. Now the director of Oldboy is back with a blistering satire about a man driven to murder after redundancy
The Korean wave is being feted around the world right now but Park Chan-wook is not feeling too celebratory. From the outside, South Korea seems to be a well-oiled machine pumping out a stream of world-conquering pop music, cuisine, cars, cinema (especially the Oscar-winning Parasite) and TV shows, as well as the Samsung flat-screens to watch them on. But Park’s latest film, No Other Choice, bursts the balloon somewhat. It paints modern-day Korea as an unstable landscape of industrial decline, downsizing, unemployment and male fragility – with no KPop Demon Hunters coming to save the day.
“I did not mean it for it to be a realistic portrayal of Korea in 2025,” says Park, a serene, almost professorial 62-year-old. “I think it’s more accurate to view it as a satire on capitalism.”