An exceptional cast, astonishing directing and the talent discovery of the decade – not to mention a plot so of-the-moment it was discussed in parliament. This may actually have been perfect TV
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How could it be anything else? Adolescence is the Guardian’s best television series of 2025. And you’d have to assume that we’re not the only ones who think so. In any available metric – story, theme, casting, performances, execution, impact – Adolescence has stood head and shoulders over everything else.
So ubiquitous was Adolescence upon release that it would be easy to assume that everyone in the world has watched it. But just in case, a recap. Adolescence is the story of a terrible crime, and how its shock waves ripple out across a community. In episode one, 13-year-old Jamie Miller is arrested on suspicion of murdering a female classmate. In episode two, we follow a pair of police officers through a school, and learn that Jamie was radicalised online. The third is a two-hander between Jamie and his psychologist, in which Jamie’s anger rushes to the surface. The fourth returns to Jamie’s parents, as they question what more they could have done to stop this from happening.