At 90, McCullin has spent seven decades recording conflict and tragedy – while escaping snipers, mortar fire and capture. He reflects on pain, pride and regret
War photographers are not meant to reach 90. “Fate has had my life in its hands,” says Don McCullin. Over his seven-decade career covering wars, famines and disasters McCullin has been captured, and escaped snipers, mortar fire and more. How does it feel to be a survivor? “Uncomfortable,” he says. No wonder he finds solace in the beautiful still lifes he creates in his shed, or in the images he composes in the countryside around his Somerset home.
McCullin is proud of escaping the extreme poverty he was born into, and the interesting and adventurous life he has lived, but he says the accolades – including a knighthood in 2017 – make him uneasy. “I feel as if I’ve been over-rewarded, and I definitely feel uncomfortable about that, because it’s been at the expense of other people’s lives.” But he has been the witness to atrocity, I point out, and that’s important. “Yes,” he says, uncertainly, “but, at the end of the day, it’s done absolutely no good at all. Look at Ukraine. Look at Gaza. I haven’t changed a solitary thing. I mean it. I feel as if I’ve been riding on other people’s pain over the last 60 years, and their pain hasn’t helped prevent this kind of tragedy. We’ve learned nothing.” It makes him despair.